| 2022 | Community of Images: Strategies of Appropriation in Canadian Art, 1977 – 1990, YYZ Publishing, Toronto, Ontario. |
| 2022 | I AM HERE: Home Movies and Everyday Masterpieces, Exhibition Catalogue, Art Gallery of Ontario, Toronto, Ontario. |
| 2018 | Laurier Lacroix, Ozias Leduc: Life & Work, The Art Canada Institute, Canadian Online Art Book Project, Toronto, Ontario. |
| 2014 | Genuine Concrete: New Paintings by Sheila Ayearst, 26, Toronto, Ontario. |
| 1998 | Roo Borson, Towards the 401, Brick, no. 59 Spring, pp 40- 44. |
| 1995 | Andy Patton, Cathy Orfold’s Cat, Sheila Ayearst: The 401 Towards London, London Regional Art & Historical Museum, London, Ontario. |
| 1995 | Mark Cheetham, The Sublime is Now, Sheila Ayearst: The 401 Towards London, London Regional Art & Historical Museum, London, Ontario. |
| 1995 | The Sublime is Now, C Magazine, Winter, Toronto, Ontario. |
| 1994 | John Armstrong & Sarah Quinton, Textiles, that is to say, The Museum for Textile, Toronto, Ontario. |
| 1994 | Greg Beatty, Visual Experience, Parachute, No. 74. |
| 1994 | Kate Taylor, Trying to Separate Art From Craft; Textiles that is to say, The Globe and Mail April 8, 1994. |
| 1993 | Ingrid Jenker, Visual Experience, Dunlop Art Gallery, Regina, Saskatchewan. |
| 1993 | Kate Taylor, Landscapes From the Road Revisited, The Globe and Mail, February 23, 1993. |
| 1991 | Lorenzo Buj, Memory Works: Postmodern Impulses in Canadian Art, Parachute, Spring 1991, no. 62. |
| 1991 | Mark Cheetham, Remembering Postmodernism: Trends in Recent Canadian Art, Oxford University Press, Toronto, Ontario. |
| 1990 | Jeanne Randolph, Mincemeat – A Recipe for Disaster, catalogue essay from Verge, Macdonald Stewart Art Centre, Guelph, Ontario. Reprinted in Jeanne Randolph, Psychoanalysis & Synchronized Swimming, Toronto, Ontario, YYZ Publishing, 1991. |
| 1990 | Gordon Lebredt, Dire Traits, Art Gallery of Peterborough, Peterborough, Ontario. |
| 1989 | Monique Brunet-Weinmann, La vraie guerre du faux n’aura pas lieu, Vie des Arts, Spring, 1989. |
| 1988 | Linda Genereux, Still Life, interview published by Mercer Union, Toronto, Ontario. |
| 1988 | Liz Wylie, Failing World Inspires…, Now , January,14. |
| 1988 | Lisa Rochon, On Show, The Globe and Mail, January 14. |
| 1987 | Monique Brunet-Weinmann, Medium – Photography, catalogue essay, Goethe Institute, Montreal, Qc. |
| 1986 | Gary Michael Dault, Architectural Digest, C Magazine, Toronto, Ontario. |
| 1986 | The Interpretation of Architecture, catalogue essay, YYZ, Toronto, Ontario. |
| 1986 | Carole Corbiel, On Show, The Globe and Mail, April10. |
| 1985 | Elizabeth McKenzie, Project: Colour Xerox, Artviews, Winter 1984/5. |
| 1983 | Katherine Knight, Representation as a Kind of Absence, Vanguard, February 1983. |
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